Showing posts with label dj fly. Show all posts
Showing posts with label dj fly. Show all posts
PLUSH's DREAM #1
An imaginary scenario somewhere between the schudio walls and electromagnetism.
AEROSOL
TURNTABLE
MICROPHONE
Yin the buguiness the Nozzle/STYLUS diffused (tone-particles/sound waves) into the - air - that were picked up by floating magnetic tape angels (or two tapes twinned together to form a double helix ribbon, coated in lime which records the tone-particle/sound-wave patterns). The ribbons then entered human lungs, (beneath the ATM breastplate sigil worn by the operator) and diffused into the bloodstream, modifying the RNA DNA CNS processes. The Body-brain-mind transforms were then sent back out into the air (bluesphere) as - remixed - soundwaves, a kind of Airborn Audio; directed into the microphone wand, retranslated into analog signal patterns and then eteched onto the wax seal disk calendar. The disk was rotated upon the turntable, and by way of the stylus needle/nozzle - transformed - back into (tone particles/sound waves) recycling the process full circle. A self-regenerative ATM Universe. Aerosol Turntable Microphone world. ON-Word.
AEROSOL
TURNTABLE
MICROPHONE
Yin the buguiness the Nozzle/STYLUS diffused (tone-particles/sound waves) into the - air - that were picked up by floating magnetic tape angels (or two tapes twinned together to form a double helix ribbon, coated in lime which records the tone-particle/sound-wave patterns). The ribbons then entered human lungs, (beneath the ATM breastplate sigil worn by the operator) and diffused into the bloodstream, modifying the RNA DNA CNS processes. The Body-brain-mind transforms were then sent back out into the air (bluesphere) as - remixed - soundwaves, a kind of Airborn Audio; directed into the microphone wand, retranslated into analog signal patterns and then eteched onto the wax seal disk calendar. The disk was rotated upon the turntable, and by way of the stylus needle/nozzle - transformed - back into (tone particles/sound waves) recycling the process full circle. A self-regenerative ATM Universe. Aerosol Turntable Microphone world. ON-Word.
MAGIKAL WEAPONS v.1.0
MAGIKAL WEAPONS v.1.0 (as of April 14th 2008, except HEADPHONE replacing DRUM).
* DRUMWAND. FIRE. EYE. SOUTH. SIGHT. (Flaming Eye with drumstick/matchstick/microphone).
* PHONOGRAPH RECORD. - DISK. EARTH. FINGER. TOUCH. SYMBOL. NORTH. (Hand on record disk. Disk has image of planet earth with bull’s horns coming out of it.)
* HEADPHONE CUP(Upturned) - CUP. WATER. TONGUE. TASTE. MIRRIR. WEST. (Inside of a cup, a swimming character with a mythical image of Eagle/Scorpion on swimming cap)
* TURNTABLE - SPRIRIT. EVERYWARE. BLOOTOOTH. (Bluesphere). HEARING. Turntable shaped as an ear. Bluesphere interface with the Infinite Flux of being.
* STYLUS - SWORD. AIR. SMELL. NOSE. EAST. (Diamond tipped stylus with expanded SWORD shape. Cutting. Shining)
* DRUMWAND. FIRE. EYE. SOUTH. SIGHT. (Flaming Eye with drumstick/matchstick/microphone).
* PHONOGRAPH RECORD. - DISK. EARTH. FINGER. TOUCH. SYMBOL. NORTH. (Hand on record disk. Disk has image of planet earth with bull’s horns coming out of it.)
* HEADPHONE CUP(Upturned) - CUP. WATER. TONGUE. TASTE. MIRRIR. WEST. (Inside of a cup, a swimming character with a mythical image of Eagle/Scorpion on swimming cap)
* TURNTABLE - SPRIRIT. EVERYWARE. BLOOTOOTH. (Bluesphere). HEARING. Turntable shaped as an ear. Bluesphere interface with the Infinite Flux of being.
* STYLUS - SWORD. AIR. SMELL. NOSE. EAST. (Diamond tipped stylus with expanded SWORD shape. Cutting. Shining)
PROSE TOOLS 9.0 (mphdj METHOD OVERVIEW).
Lps. The keys to. Given! A way a lone a last a loved a long the - James Joyce, Finnegans Wake.”
“Cleopatra wrote of currency,
Versus who scatter old records
ignoring the HSIEN form
and jump to the winning side.–Ezra Pound, Canto LXXXV.
Towords an MPHDJ method. Prose turntables and mixer of Correspundance. A Knu Tribal Encyklopedial of changes, odes, rights and histories for time-space playback. New Tools to interlock with the Beastly Rhythm; the rhythm cutting time into space. Cutting into the vinyl discs of history from the great hall of records. An MPHDJ Telling the tale of the tribe fable with magical tools and a turn-tribe-table. I am for balance. Stereo. To be stable.
Sun and moon discs in motion to the patterns of petals and stars, branches and trees all spinning at various pace, the stylus finding the precise times-place. Backandfourth push and pulling forces. The Tao of PLUSH. The Sun appears to be spinning and shining all the spacetime. Night on earth seems just a pitch-shifting shadow. I am shining and spinning all the timespace so I guess that Death is just a pitch-shifting shadow too.
Knock yourself up proper on the head. Tap Tap Tap. Make one full 360 degree turn either to the right or to the left. Run your ring-finger, middle and index fingers past your thumb like when your crab scratching at the cross-fader, for that triplet effect, and then say the words “On turntables as it is in Heaven. On Vinyl as it is on Earth. Turning forever and ever. Oar-men.” Now sit down. Relax. Revolutionize your thinking.
To help formulate a question or meditation i usually drop coins from my mouth onto each turntable platter thrice, casting an I-Ching Hexagram reading for that particular moment in space-time. 3 coins (1 Euro, 1 Pound, 25 cents) dropped six times. Following the King Wen Sequence of the traditional I-Ching divination process i proceed, along with 64 words of genetic code and coincidance in my mind indestructible.
MPHDJ Initiate of the greater mysteries communicating forces with frantic hand gestures and pagan poetry and some sensibility to form MPHDJ weapuns of task construction. Prose Tools. Forming a new hocus stereo focus between the expanding psyche (blue shift) and the expanding universe (red shift). I am for balance, peace and communication.
DRUMSTICK WAND of FIRE. SOUTHERN EYE-LASH BRUSH FOR SIGHT-SEEING. FUN 0’GRAPH RECORDISC of EARTH. FINGER TOUCHING AND SCRATCHING SYMBOLS IN A NORTHERN DIRECTION. DRUMUG of WATER. THE TASTING TONGUE LICKS THE MIRROR MOVING WEST. STYLUS SWORD of AIR. SMELL THE EASTERN WIND WITH A STYLUS NOSE TIP. TURNTABLE of SPIRIT. EVERYWARE INVISIBLE. BLUE-TOOTH WEATHER COMING FROM ALL QUARTERS. OMNIDIRECTIONAL
Disc Jockeys united. Awake and now standing up erect as styli. DJ Geomancy in the air with fingers and minds tracer. Chanting to all regalia. Scratch and juggle shapes and patterns from the turntable platter to the air-space-time and vice-versa. Write a pentagram within a circle. Now try a unicursal hexagram. Who are you and where do your thoughts go when you think of them? Your author discovered today for example that he (IS) in some sense a half-Irish, half-Englishman residing in Amsterdam in the process of developing MPHDJ disc/seal/calendars and a mixer for a lecture on the tale of the tribe.
Rotate your imaginary air-canvas on its horizontal axis and continue invoking and banishing forces, with statesmanship and compassion. Do what thou will. You can charge up the discs while they are spinning on the turntable platter. You can sing your lungs out to the planets and stars, saying magical motto. Pull funny and absurd faces while looking down at the revolutionary disc/seal/calendar/sigil. The disc may have a reflective surface. Imagine a bright flame between you and the disc. Ask yourself who you are and where are your thoughts going today? fly agaric 23, maybelogic.
Prose Tools bound in red, yellow, blue and green silk threads, proof that i know what i am stewing. I resort to the language of symbols in these times of TSOG and their wars. Make peace on walls with LING, a great new sensibility. Peace comes of communication. Rotation and the changes bring on the new ages. After all else has gone, i am that which remains.
Planetary forces will be invoked and banished daily by new turntable operators worldwide. Hands off wireless blue-toothing everyware? crossed-wires, crossed paths. I saw the head DJ’s that ever battle against one another, so that all their thought is a confusion. DJ’s working together to balance the forces. More than symbolic games, turntable healing. Thou has appeared to m huge and allmazifull, the Lord of Time, bearing a sharp stylus sickle atop the heavenly wheels wearing flaming armour, with sword and shield-discs, drums and brushes, triumphantly crowned with the ROTA table. But i was not deceived by these, i cast them all aside and said “begone”.
Thou transformed ABRAHADABRA INTO AMANTAMCARA to unify the microcosmic five and the macrocosmic six with Amanita Muscaria. But even this mighty mushroom deceived me knot. Let those tools be prose Tools. Tables to Tables to cables and back to back to the mixer. On Vinyl as it is on Earth. Turning forever and ever. Oar-men.
Oh Oh oh my Gud! Unity is fly Buginning! Unity is fly Spirit, and fly Purmutation Unity! let me un-veil my fly acrillic gloss.
–Fly Agaric 23
MPHDJ. “fly’.
“Cleopatra wrote of currency,
Versus who scatter old records
ignoring the HSIEN form
and jump to the winning side.–Ezra Pound, Canto LXXXV.
Towords an MPHDJ method. Prose turntables and mixer of Correspundance. A Knu Tribal Encyklopedial of changes, odes, rights and histories for time-space playback. New Tools to interlock with the Beastly Rhythm; the rhythm cutting time into space. Cutting into the vinyl discs of history from the great hall of records. An MPHDJ Telling the tale of the tribe fable with magical tools and a turn-tribe-table. I am for balance. Stereo. To be stable.
Sun and moon discs in motion to the patterns of petals and stars, branches and trees all spinning at various pace, the stylus finding the precise times-place. Backandfourth push and pulling forces. The Tao of PLUSH. The Sun appears to be spinning and shining all the spacetime. Night on earth seems just a pitch-shifting shadow. I am shining and spinning all the timespace so I guess that Death is just a pitch-shifting shadow too.
Knock yourself up proper on the head. Tap Tap Tap. Make one full 360 degree turn either to the right or to the left. Run your ring-finger, middle and index fingers past your thumb like when your crab scratching at the cross-fader, for that triplet effect, and then say the words “On turntables as it is in Heaven. On Vinyl as it is on Earth. Turning forever and ever. Oar-men.” Now sit down. Relax. Revolutionize your thinking.
To help formulate a question or meditation i usually drop coins from my mouth onto each turntable platter thrice, casting an I-Ching Hexagram reading for that particular moment in space-time. 3 coins (1 Euro, 1 Pound, 25 cents) dropped six times. Following the King Wen Sequence of the traditional I-Ching divination process i proceed, along with 64 words of genetic code and coincidance in my mind indestructible.
MPHDJ Initiate of the greater mysteries communicating forces with frantic hand gestures and pagan poetry and some sensibility to form MPHDJ weapuns of task construction. Prose Tools. Forming a new hocus stereo focus between the expanding psyche (blue shift) and the expanding universe (red shift). I am for balance, peace and communication.
DRUMSTICK WAND of FIRE. SOUTHERN EYE-LASH BRUSH FOR SIGHT-SEEING. FUN 0’GRAPH RECORDISC of EARTH. FINGER TOUCHING AND SCRATCHING SYMBOLS IN A NORTHERN DIRECTION. DRUMUG of WATER. THE TASTING TONGUE LICKS THE MIRROR MOVING WEST. STYLUS SWORD of AIR. SMELL THE EASTERN WIND WITH A STYLUS NOSE TIP. TURNTABLE of SPIRIT. EVERYWARE INVISIBLE. BLUE-TOOTH WEATHER COMING FROM ALL QUARTERS. OMNIDIRECTIONAL
Disc Jockeys united. Awake and now standing up erect as styli. DJ Geomancy in the air with fingers and minds tracer. Chanting to all regalia. Scratch and juggle shapes and patterns from the turntable platter to the air-space-time and vice-versa. Write a pentagram within a circle. Now try a unicursal hexagram. Who are you and where do your thoughts go when you think of them? Your author discovered today for example that he (IS) in some sense a half-Irish, half-Englishman residing in Amsterdam in the process of developing MPHDJ disc/seal/calendars and a mixer for a lecture on the tale of the tribe.
Rotate your imaginary air-canvas on its horizontal axis and continue invoking and banishing forces, with statesmanship and compassion. Do what thou will. You can charge up the discs while they are spinning on the turntable platter. You can sing your lungs out to the planets and stars, saying magical motto. Pull funny and absurd faces while looking down at the revolutionary disc/seal/calendar/sigil. The disc may have a reflective surface. Imagine a bright flame between you and the disc. Ask yourself who you are and where are your thoughts going today? fly agaric 23, maybelogic.
Prose Tools bound in red, yellow, blue and green silk threads, proof that i know what i am stewing. I resort to the language of symbols in these times of TSOG and their wars. Make peace on walls with LING, a great new sensibility. Peace comes of communication. Rotation and the changes bring on the new ages. After all else has gone, i am that which remains.
Planetary forces will be invoked and banished daily by new turntable operators worldwide. Hands off wireless blue-toothing everyware? crossed-wires, crossed paths. I saw the head DJ’s that ever battle against one another, so that all their thought is a confusion. DJ’s working together to balance the forces. More than symbolic games, turntable healing. Thou has appeared to m huge and allmazifull, the Lord of Time, bearing a sharp stylus sickle atop the heavenly wheels wearing flaming armour, with sword and shield-discs, drums and brushes, triumphantly crowned with the ROTA table. But i was not deceived by these, i cast them all aside and said “begone”.
Thou transformed ABRAHADABRA INTO AMANTAMCARA to unify the microcosmic five and the macrocosmic six with Amanita Muscaria. But even this mighty mushroom deceived me knot. Let those tools be prose Tools. Tables to Tables to cables and back to back to the mixer. On Vinyl as it is on Earth. Turning forever and ever. Oar-men.
Oh Oh oh my Gud! Unity is fly Buginning! Unity is fly Spirit, and fly Purmutation Unity! let me un-veil my fly acrillic gloss.
–Fly Agaric 23
MPHDJ. “fly’.
Labels:
DISKS,
dj fly,
maybelogic quarterly,
prose tools,
The Tale of the tribe,
Tribetable,
TURNTABLE,
WANDS
Tribetable Components #2
Chapter 30.
TRIBETABLE COMPONENTS FROM O.H.B.
A short chapter from my forthcoming NOVEL: OUR HISTORYS BACK - in which the tribetable components for constructing the novels novel dialogue are being described. — FLY.
“every external phenomena is like a dream, like a vision, like a bubble, like shadow, like dew, like lightning, and should be regarded as such’ –From the Diamond Sutra.
(Overhead shot of Rotterdam looking like a bright circuit from 1000 meters above at midnight).
(Zoom down into the house through the front door and back into the Garage area.)
The small garage at the back of Mike’s apartment provided ample space for the intrepid group’s first tribetable working. The double garage was spacious enough for at leas three vehicles and seemingly square. In roughly the centre of the garage floorspace a handcrafted - Silver Birch Table - stood on a mustard colored rug decorated with dymaxion maps, star charts, occult symbols, Chinese landscapes and differential equations - all designed and screen-printed by the now legendary Esther Trippleknit.
The four legs of the altable are each individual tribetable Totems. Each leg consisting of figure heads and exotic self-regenerative designs, stacked upon each other forming correspondence with the other three legs when seen from different hights and angles. The wax disks consist of 2 sides of information pressed and sealed for a particular Tribetable working - in this case the hero’s of ourstory - back to back: Disk 1.A-side: Giles Chase. B-side: R. Jacky Muller. Disk 2. A-Side: Ira Pod. B-Side: Carson Wools. Disk 3. A-side: Cutler Bates. B-side: Manfred Humanski. Disk 4. A-side: James Shermon. B-side: Sonny Bob.
Each disk has condensed audio/visual information relating to the specific character and their inter-relations with the storyline so far. Their individual methods, drives, styles, forces and particular historical passages into the present. The wax disks can be manipulated by the hands, feet, tongue or elbow of the MPHDJ operator. Steering the stylus needle to intersecting points producing conversational fragments and bits of communication.
Spin back function and/or a freewheeling release of the disk results in a given sound bite or - map coordinate - to be interpreted by the operator. A total dimensional shift would be possible under these cirumstances by lifting the stylus-sword completely off and out of the groove, and then moving it along to the next track.
The method of cutting and live editing on-the-fly, with character dialogue disk’s is under daily modification and requires a particular preparation and tedious disciplinary exercises. See the MPHDJ method as presented in MAYBE magazine. An efficient way to analyze a sentence or sequence of words in a novel way, opening the gates of perception to new arrangements and semiotic experiments.
The table top design was also a John Disk/Esther Trippleknit piece, crafted from bio-organic components (wood) to perfectly intersect with the operators tribetable tools. Roughly the size of a squared pool table.
The first major tools used are the Picture-Disks that consist of 4 double sided 11 inch wax sigils, each placed upon the four corners of the table in their corresponding elemental positions, while the keystone disk sits in the middle like a panopticon.
The second tool used is the Brush Microphone Wand BMW which functions as a multipurpose - rod shaped object - made up of different species of wood lamenated together. The wand has a tiny microphone speaker embedded within the tip and Ostrich hairs held in the opposite end which can be used for applying various textured and colored media. To anything at the table.
The third tool is an elaborately carved diamond tipped Toad-Fly stylus sword, the diamond tipped stylus needle is held by a silver cast fruit fly, which in turn is held in place by the tongue of a Gold cast Toad, the toad serves the function of the traditional stylus cartridge, the fly’s proboscis is the needle.
The fourth of the major Tribetable tools are the speaker drum cups. These fit into the table at critical nodes to process, amplify, translate, and mirror the signals they receive and transmit. Together, these tools and their correspondences within the historical tale, present a new-structure for the Novel to unfathom for itelf in the later editing and re-arrangement processes.
The Tribetable itself becomes a fifth element. The center piece of the research tabaltar, which all the other tools plug into in various ways at various moments modifying their function in imaginative ways. The Turntable is not at first glance so dissimilar to a popular DJ turntable, but as with many of the newer bio-organic objects processing in 2012, the Plush Tribetable does more than merely meets the eye. Beneath the material realm of mechanical and electromagnetic components an assortment of biological chlorophyll projectors, liquid crystal coasted spores and lucerferin filled micro-droppers work together to read and write information from the various symbol systems rotated upon the platform beneath the plank scale.
Millions of Delicate and tiny photons are dispersed from the rim of the rotating platter - star-bits - that the diamond tipped styli make analogous cuttings of, based upon their astrological coordinates. All hiding beneath the range of natural human vision.
The various maps, charts, and symbols systems from each of the major historical characters fit onto the platter area for the operator to manipulate, modulate, amplify, set into phase, make stereo and/or quadraphonic sound, cut-up again, juggle, scribble, rewind, juggle, scratch etc.
The spirit of the turntable rotates around revolutions, per decade, per minute, each micro void cycle. Combined with the Microphone, Disks, Stylus, Speakers MDSS, the five become the functional and practical tools for the OHB work in progress taking shape in Mike’s garage.
Tags: DJ Fly, Novel, TOTTT, turntable
TRIBETABLE COMPONENTS FROM O.H.B.
A short chapter from my forthcoming NOVEL: OUR HISTORYS BACK - in which the tribetable components for constructing the novels novel dialogue are being described. — FLY.
“every external phenomena is like a dream, like a vision, like a bubble, like shadow, like dew, like lightning, and should be regarded as such’ –From the Diamond Sutra.
(Overhead shot of Rotterdam looking like a bright circuit from 1000 meters above at midnight).
(Zoom down into the house through the front door and back into the Garage area.)
The small garage at the back of Mike’s apartment provided ample space for the intrepid group’s first tribetable working. The double garage was spacious enough for at leas three vehicles and seemingly square. In roughly the centre of the garage floorspace a handcrafted - Silver Birch Table - stood on a mustard colored rug decorated with dymaxion maps, star charts, occult symbols, Chinese landscapes and differential equations - all designed and screen-printed by the now legendary Esther Trippleknit.
The four legs of the altable are each individual tribetable Totems. Each leg consisting of figure heads and exotic self-regenerative designs, stacked upon each other forming correspondence with the other three legs when seen from different hights and angles. The wax disks consist of 2 sides of information pressed and sealed for a particular Tribetable working - in this case the hero’s of ourstory - back to back: Disk 1.A-side: Giles Chase. B-side: R. Jacky Muller. Disk 2. A-Side: Ira Pod. B-Side: Carson Wools. Disk 3. A-side: Cutler Bates. B-side: Manfred Humanski. Disk 4. A-side: James Shermon. B-side: Sonny Bob.
Each disk has condensed audio/visual information relating to the specific character and their inter-relations with the storyline so far. Their individual methods, drives, styles, forces and particular historical passages into the present. The wax disks can be manipulated by the hands, feet, tongue or elbow of the MPHDJ operator. Steering the stylus needle to intersecting points producing conversational fragments and bits of communication.
Spin back function and/or a freewheeling release of the disk results in a given sound bite or - map coordinate - to be interpreted by the operator. A total dimensional shift would be possible under these cirumstances by lifting the stylus-sword completely off and out of the groove, and then moving it along to the next track.
The method of cutting and live editing on-the-fly, with character dialogue disk’s is under daily modification and requires a particular preparation and tedious disciplinary exercises. See the MPHDJ method as presented in MAYBE magazine. An efficient way to analyze a sentence or sequence of words in a novel way, opening the gates of perception to new arrangements and semiotic experiments.
The table top design was also a John Disk/Esther Trippleknit piece, crafted from bio-organic components (wood) to perfectly intersect with the operators tribetable tools. Roughly the size of a squared pool table.
The first major tools used are the Picture-Disks that consist of 4 double sided 11 inch wax sigils, each placed upon the four corners of the table in their corresponding elemental positions, while the keystone disk sits in the middle like a panopticon.
The second tool used is the Brush Microphone Wand BMW which functions as a multipurpose - rod shaped object - made up of different species of wood lamenated together. The wand has a tiny microphone speaker embedded within the tip and Ostrich hairs held in the opposite end which can be used for applying various textured and colored media. To anything at the table.
The third tool is an elaborately carved diamond tipped Toad-Fly stylus sword, the diamond tipped stylus needle is held by a silver cast fruit fly, which in turn is held in place by the tongue of a Gold cast Toad, the toad serves the function of the traditional stylus cartridge, the fly’s proboscis is the needle.
The fourth of the major Tribetable tools are the speaker drum cups. These fit into the table at critical nodes to process, amplify, translate, and mirror the signals they receive and transmit. Together, these tools and their correspondences within the historical tale, present a new-structure for the Novel to unfathom for itelf in the later editing and re-arrangement processes.
The Tribetable itself becomes a fifth element. The center piece of the research tabaltar, which all the other tools plug into in various ways at various moments modifying their function in imaginative ways. The Turntable is not at first glance so dissimilar to a popular DJ turntable, but as with many of the newer bio-organic objects processing in 2012, the Plush Tribetable does more than merely meets the eye. Beneath the material realm of mechanical and electromagnetic components an assortment of biological chlorophyll projectors, liquid crystal coasted spores and lucerferin filled micro-droppers work together to read and write information from the various symbol systems rotated upon the platform beneath the plank scale.
Millions of Delicate and tiny photons are dispersed from the rim of the rotating platter - star-bits - that the diamond tipped styli make analogous cuttings of, based upon their astrological coordinates. All hiding beneath the range of natural human vision.
The various maps, charts, and symbols systems from each of the major historical characters fit onto the platter area for the operator to manipulate, modulate, amplify, set into phase, make stereo and/or quadraphonic sound, cut-up again, juggle, scribble, rewind, juggle, scratch etc.
The spirit of the turntable rotates around revolutions, per decade, per minute, each micro void cycle. Combined with the Microphone, Disks, Stylus, Speakers MDSS, the five become the functional and practical tools for the OHB work in progress taking shape in Mike’s garage.
Tags: DJ Fly, Novel, TOTTT, turntable
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