Showing posts with label Maybe Logic. Show all posts
Showing posts with label Maybe Logic. Show all posts

Cosmic Trigger Play and The Tale of The Tribe

PART 1: TTOTT and PLAY


"Fuck God In The Ass"--Ed Sanders

"If you can't say FUCK in public, then the terrorists have won.--D. Scott Apel.

Towards the radical abolition of time as history, in favour of a more flexible playtime where 1994 and 1977 (for example) feedback to each other through the porthole of stagecraft. The Strange Intimacy in the dramatic plays of W.B Yeats, partly influenced by Ernest Fenollosa and his contact with the Noh play tradition of Japan. Within, the accumulation of techniques taken in the Poundian' sense of that phrase. The exploitation of lighting, stage projection, sound effects and costume all-at-once in a Wellesian' fashion, sharp transitions. Ritualistic and ceremonial jams with space for improvisation and embellishment, yes. The fair and rare scientific language of higher states of consciousness, further clarified and made new by actors and stage magix, singing, dancing, shouting.

The process of time and humans gathered together: actors, props, lights, sound, projections, choreography, costume, writing, production, promotion, not to mention food travel shelter and personal hygiene. All this, ALL THIS came together in a unique intersection point, or series of intersection points, to lean on a phrase from Burroughs. The words and the lights and the sounds and the ears hearts minds and bodies of both performers and co-conspirators, the audience co-mingled, wrestled together with a Robert Anton Wilson Universe.

Often times i felt the words jump of the script and into the walls, or the mouth or face of another. Letters are OFF the wall. Language of poetry thrown up onto the stage, balls and all. Total transformation of mind and ALL that resembles it. The sheer rush of hearing the wise words of RAW, and many of his cohorts projected into the air with such finesse, attention to inflection, cadence, the swing of the word, amped-up expressive decoration and embroidery.

Cosmic Trigger Play, in my humble opinion, and to curve your ear a little, might have been to the delight of RAWs tribe. I mean to say, RAWs unfinished great work 'The Tale Of The Tribe' criss-crosses with Cosmic Trigger Play in that TTOTT players William Butler Yeats, Marshall McLuhan, Orson Welles, and Perhaps Joyce and Pound may have enjoyed the stage play IMHO...Bruno, Vico, Nietzsche, Fenollosa, Shannon and Bucky too (google em' & git bck. to me with yr/ thoughts) I'm getting at, or digging into an idea about the hermetic nature of theatre, the multi-media of it ALL, and how the new play satisfies many of the quality critters that Robert Anton Wilson invoked in his last great unfinished work TTOTT. At least TTOTT represents the direction i would like you, dear reader, to ramble into. Please excuse my using it as a playful spring board to get into reviewing the play itself.

RAW would have been moved and inspired if he were around to see the Cosmic Trigger Play. He would have loved it. Sorry to invoke a cliche' yet i think it important to consider RAWs position on current events, and not just political and or metaphysical but concerning the creative arts and new media, to attempt to reconsider some of his critical thoughts on the art and culture, social psychology and a further refined focus on theatre. Makes sense right? (you can find all the details about the who to the what now if you type 'Cosmic Trigger Play' into any search engine. But wait.

Okay, maybe the best way to push onwards is git' the 23K (x4) and do it all again. Cosmic Trigger pulling remains an open game, the new Universe sits gleaming in the moonlight. Sparkling, full of stars orbiting planet word. A Cosmic Trigger Play pulled off and etched into the mind-body-speech of a sleepless crew of initiates. A crew ready to roll. Let's go get em'. (Already feeling terribly confined here in word-world, trying to talk a bit about Bob and the TTOTT and the play and ALL).

Tom Robbins once stated words to the effect that if roughly 15% of the population were reading and acting upon the works of Robert Anton Wilson we might see a new enlightenment/renaissance, or something equally epic and encyclopedic. Of course i agree, and you can find loads of my writings across the web echoing this sentiment. READ HIM. Go to the source.

The tale of the tribe brings together a dozen innovators from history, reaching back to Giordano Bruno (16th century) and into the 21st Century (Claude Shannon). A current of renaissance men, who share a part to play in both the gestation of ideas and influences upon Robert Anton Wilson, and upon Internet. Yes, INTERNET. RAW seemed to be a BIG fan of Internet. I feel he would have supported Wikileaks, Snowdon, EFF, Open Source Projects, Chaos Computer Club meetings, Anonymous, Aaron Swartz, Jacob Applebaum, Cory Doctorow and most Internet rights activists. And i think he would find facebook an amusing distraction from his hologrammic prose.

Lets co-create a new Universe or theatre of the mind, where each and everyone of us can think and act in multiple dimensions, working on many levels, in synchrony, considering set and setting, speech and place-time. Making the invisible visible. Let's do it again to the gates of eternity.

RAW_ON_BALCONY_CLOSE.jpg



PART 2: THANKS TO ALL THE COSMIC CREW


Thanks to those wise beings who donated food to the backstage area and those who were kind enough to buy a cast or crew member a well deserved drink. Greg and Wolfy and the Liverpool crew. Mario Dimaggio of Immersive Dome Theaters, and Toby Philpott who helped manage the Maybe Logic Dome at the Find The Others Festival, and all the other performers and exhibitors. The London Film crew who set up at lost, the random helping hands all over the place, the Cosmic Trigger Band, optimistic ideas from Harvey Webb, music and good vibes from Youth, and the phalanx of other musicians and DJs who performed at the 'Find The Others' festival, and those who played in London. My friends Emily, Scott Groves and Kev Lane for showing up. Lisa Lovebucket and crafts, Beccy Strong photography, Jonathan Greet photography. And on...

All the strong willed ones who helped transport the entire set and many of the crew back and forth to locations in Liverpool, and in London.Special thanks to John Sinclair, Caleb Selah, CHU and all those who supported the crowd fund launch party and donated time, services, equipment and money to the whole trigger pulling process. Alan Moore for continued support. All the supportive video clips from Douglas Rushkoff, Nina Conti, Irving Rappaport, Alan Moore, Jamie Reid, Bill Nye, John Higgs and those i forgot. To Jack Sarfatti for agreeing to meet with Nic Alderton for an interview in S.F. Special thanks to Rick Rasa, Sandhya Sanjana, Michael Ray, Matt Black, Youth, Tim Eggmond, Dominick Clementson, Caleb Selah and all the voices of the cast for all the musical contributions.

A standing ovation for the hundreds of cuddly crowd-funders and thousands of supporters across the planet who re-tweeted, forwarded by email or better yet spread the word-by-mouth of the impossible play made possible. Big up. And a nice one to the reviewers and those who published in support of the project, in particular the Liverpool Confidential and the Independent. And, finally, to those who did not get a mention, it really sits with you now, so thanks in anticipation. I feel fortunate to have had such a schooling process collaborating with the following sleepless crew:


Actors
Oliver Senton - Robert Anton Wilson
Kate Alderton - Arlen /Jano Watts / Miss Portinari
Dixie Mcdervitt - Luna / Ensemble
Lee Ravitz - Kerry Thornley / Simon Moon / George Dorn
Andrew Mackbean - Dr Timothy Leary / Hagbard Celine
Josh Darcy - Ken Campbell / Gary Kerstein / Greg Hill / Ensemble
Tom Baker - Aleister Crowley / Robert Shea / Ensemble
Daisy Campbell - Mavis / Prunella Gee
Claudia Egypt Bolton - Eris / Ensemble
Robert Wells - Slim / Goat Boy / Ensemble
Katy-Anne Hellis - Karuna Wilson / Angel / Paula / Ensemble
Larry Sidorczuk - Albert Hoffman / Ensemble
Nick Helweg Larson - Postman
Irving Rappaport - Jaques Vallee / George Harvey Webb / Ensemble
Peter Wilson - William Burroughs
Nick Marcq - Alan Watts
Michele Watson - Lead Ensemble
Amanda Maye Steele - Ishtar (wed/thu/sat mat)
Elizabeth Sandford-Richardson - Ishtar (fri)
Katy Claire - Ishtar (sat)
Robert K.G Temple - As himself (sat)

Team
Daisy Eris Campbell - Writer and Director
Michelle Watson - Conferestival Director
Dominic Search - General Manager & Webtech
Nadia Luijten - Stage Manager & Social Media
Claudia Boulton - Production and Popery
Nic Alderton - Production, perks and Film
Polly Wilkinson - Graphic Art & Merchandise
Scott McPherson - Projections and Virals
Steve Fly - Music Director
Chris Farncombe - Lighting Design
Sadie Spencer - Lighting Desk
Padrigo Brown - Scenery & Props Maester
Dominick Clementson - Sound Desk (wed/thur)
Josh Chedwin Evans - Sound Desk (fri/sat)

Credits
Christian Wach - Website Design
Jonathan Greet - Stills Photography
Andrew Ab - Stills Photography
Adam Clark - Stills Photography
Bobby Campbell - Initial Artwork
CHU - Illuminatus Set Painting
Gary Acord - Initial website hosting
Lee Isserow - Camera Liverpool
Michelle Olly - Promotions & Vibes

one eye triangle.jpg


PART 3: RE:VERSE-RIGGER


thus was it in time
here with discordian sounds
of Sun Ra and Tim Leary
in my head 1973 1993 to infinity
time has come ready

1950s & 1990s mixed with
Nixon era cointelpro paranoia
3 stooges of interplay
on many levels

Bogart and Saul Goodman
totally Orson unhinged
gates of eternity
hyperreal investigation

trigger pulled
lasagna launched
comets and interstellar
regions crossed
acid Crowley Lilly love scene

timespace and speechspaces
reshaped to travel-time
the eternal nowness of
Robert Anton Wilson
Universe breathing
chanting enochian

captured and shored by
Daisy Eris and her pirate ship
of initiates bound for planet mu
mu unbound from the page to
the stage pulling it all
off

blowing minds out of time
into-starseed-spaces
light body voice speech
enactments towards
decohere...
cosmic trigger
with claritas humanitas
and hilaritas

ctp_scotty_mcpherson_mass.jpg
Black Mass Scene - Visual Projections and Photo by Hagbard Celine


PART 4: SOURCES AND RESOURCES


http://cosmictriggerplay.com/

http://www.rawillumination.net/2014/11/cosmic-trigger-play-news-roundup.html

http://maybelogic.blogspot.nl/2014/11/cosmic-event-in-london.html

http://boingboing.net/2014/03/17/raws-the-cosmic-trigger-as-a.html

http://maybelogic.blogspot.nl/2014/09/cosmic-trigger-re-play.html

https://www.flickr.com/search?text=cosmic%20trigger%20play&sort=relevance

ch_dem_14.JPG

1402995_10152417546780496_1201840578301794643_o.jpg
Steve Fly at the drums - Photo by Jonathan Greet

Cosmic Trigger Replay: Maybe Logic Class. Sept 23 to Nov 23




Come join a crash course cosmic adventure through the lives and ideas of Robert Anton Wilson!

The Maybe Logic Academy is once again opening its invisible doors for an intensive 8 week RAW workshop, which leads directly into the premier of the highly anticipated stage adaptation of RAW’s Cosmic Trigger by Daisy Eris Campbell!

The workshop is divided into four 2 week sessions, presented by MLA Alumni: Steve Fly Agaric, Propaganda Anonymous, Toby Philpott aka Bogus, and Bobby Campbell.
Whether you are a new initiate to the Maybe Logic chaosmos, or a fully vested Ascended Master of all things maybe, there will be an abundance of RAW delight!
 The secret society reconvenes on September 23rd, come find the others here at: maybelogic.net
(Suggested donation €23, but pay what you will shall be the whole of the law)
 
For more info check out this smorgasbord of flying lasagna!
SECTION 1: RAW Artists Workshop
Presented by Steve Fly Agaric

A collaborative jimjam of like minded mutants and MLA critters creating new meps and mapaphors to help find the others just in time for space migration.
“The biosphere—Gaia—the DNA script—is more intelligent than all individuals. Gene-pools and species. It has survived everything thrown at it for nearly 4 billion years, and is getting smarter all the time.”--RAW, Prometheus Rising, pg.181.

WEEK ONE: RAW RENAISSANCE

Presentation: RAW & the tale of the tribe
Workshop: Language of poetry & eggshells

“The instrument that measures all other instruments—the human nervous system—has its own laws, and one of them involves always seeing the results one wants to see until and unless something really startles the brain enough to reframe its experiences.”--RAW, Dangerous Experiments, Cosmic Trigger III, pg134.


WEEK TWO: REPLAY

Presentation: RAW360.net
Workshop: No place place like dome
 


SECTION 2: Perilous Lessons from the Chapel of Ill-Repute
Presented by Propaganda Anonymous

WEEK THREE: NEUROGEOGRAPHY OF CONSPIRACY THEORY
Workshop: RAW's 8 Elements of Conspiracy Theory
Presentation: Lots of Cussin and Discussin this presentation of Wilson's analysis
WEEK FOUR: A TRADITION OF EXPLANATION
Workshop: The Anthropological Approach to Conspiracy Theories
Presentation: More Discussions and Cussin about the 'Illuminati' Conspiracy Motif, plus more!



SECTION 3: The Latest Model
Presented by Toby Philpott aka Bogus

In which we examine the language we us to describe the world, and the models we develop to try to explain it, or at least find our way around.
WEEK FIVE:  THE MENU IS NOT THE MEAL
Presentation:  Language as a virus
Workshop: Using E-Prime for a week – an exercise to help us evaluate the words we use, and communicate more clearly

WEEK SIX: 8 DIMENSIONS OF MIND

Presentation:  Models of the Mind, with special reference to the 8 Circuit Model
Workshop: Discussion of the model, experiences with it, variations and alternatives – "all models need revision, when new information comes in."



SECTION 4: The Cosmic Giggle Factor
Presented by Bobby Campbell

Wherein we will endeavor to use the whimsical magic of art & technology to unleash the RAW power of change in ourselves and the world. PULL MY FINGER!

“The world is not only stranger than we imagine, it is stranger than we can imagine.”
– J. B. S. Haldane

WEEK SEVEN: COSMIC TRIGGER HAPPY
Presentation: The Great Magician
Workshop: Metaprograms & Sigils

WEEK EIGHT: THE FINAL SECRET OF THE ILLUMINATI
Presentation: Operation Mindfuck
Workshop: RAW Memetics

http://www.maybelogic.net/about-menu/faculty/upcoming/cosmic-trigger-re-play#


http://t4qs.fm/replay

Bigendig of Mayan Long Count in Panoramas

At Chichen Itza last week--between playing drums for Fantuzzi, The Earthlings, and The peace tribe band at the chaotic 'synthesis2012 festival--ifly, made some panorama photographs using my I-Pad, and shot some weird underwater video in a cenote called Encantado (rumored to have a female crocodile living in it!)

My journey was really FAR OUT and mystical, beautiful and challenging all-at-once. I got into more textual porridge over at my acrillic blog. Be my guest:

I opened an account with www.360cities.com today, and wanted to share my first batch of panos. Love, steve fly


My Trip to Chitchen Itza and Tulum 21st December 2012: (Condensed diary spillage):






Reflections on my trip to Chichen Itza: (a prose introspective streaming dollop)
http://acrillic.blogspot.nl/2012/12/reflections-on-end-of-mayan-long-count.html

360 PANORAMAS BY FLY.

"And greater grown then in the trifle of her days, a mouse, a mere tittle, trots off with the whole panoromacron picture"--James Joyce, Finnegans Wake. pg. 318  

Snapped December 21st, 2012. Chichen Itza.









Massive Online Open Courses: From McLuhan to MOOC.

Note to Maybe Logic Academy!
http://www.maybelogic.org/

Massive Online Open Courses: From McLuhan to MOOC.



"In this summer of 2012 the buzz in the world of higher education is about massive online open courses, or "MOOC." It seems that cyber-prophet Marshall McLuhan saw this coming.

As a classroom teacher for over 35 years who is about to set a virtual foot onto the campus of MOOC U (my neuroethics course will be offered by Coursera in January, the other major entrant into MOOC being EdX), I wonder what I'm getting into. I have a feeling I'm not alone among my dozens of colleagues in this regard. Surely they also wonder if the transmission of knowledge to which they've given much of their lives is about to undergo an unpredictable transformation in which they will play a part. University of Virginia professor Mark Edmundson is dubious that the classroom artistry of the truly fine teacher can be captured in the online experience.

Edmundson has a point. I know exactly what he means when he compares those precious moments of didactic flow in a physical classroom to jazz improvisation.

Yet the precise contours of the MOOC experience and its implications for higher education remain a mystery to everyone, including the investors, institutions and instructors. All we really know is that (1) the sheer number of potential online students is mind-boggling and hard to resist; and (2) the "production values" need to be far better than those for the university-produced online lectures I've watched in the past few years.

The MOOCs need to hit that sweet spot between two hours of a static lecturer-focused camera and the flash-and-dash of TED Talks. But at this stage that still doesn't tell us much about what to expect.

In search of an oracle, I stumbled upon a piece co-authored by Marshall McLuhan in 1967 in, of all places, Look magazine (many teachers worry that online students will look but not think). The article forecast the learning experience of "The Class of 1989"; the same issue included a long essay by a Look senior editor on "The Generation Gap." Just as young people were demanding more "relevance" in schools, McLuhan recites the longstanding progressive critique of standardized education as "bodies of knowledge" and lectures, the latter seen "one of the least effective [mode of education] ever devised by man," soon to go the way of all other "mechanized production line[s]."

Instead, McLuhan wrote, "the new modes of instantaneous, long-distance human communication -- radio, telephone, television -- are linking the world's people in a vast net of electric circuitry that creates a new depth and breadth of personal involvement and events and breaks down the old, traditional boundaries that made specialization possible." McLuhan thus foresaw the end of the mass-produced student. "When computers are properly used, in fact, they are almost certain to increase individual diversity. A worldwide network of computers will make all of mankind's factual knowledge available to all students everywhere in a matter of minutes or seconds."

Not bad for 1967, just as the Pentagon's packet switching technology was indeed laying the groundwork for "a worldwide network of computers."

http://www.huffingtonpost.com/jonathan-d-moreno/massive-online-open-cours_b_1695128.html

I FIRST MET DR. WILSON... (from September 2006)

Introduction 2010:

Hi, I met BOB a number of times between 2000 and 2005 in the USA, and regret not being allowed back into the U.S due to VISA issues, to see him again before he passed on. While he was still with us I already started a piece of writing that started to describe his influence upon me and how that amplified since traveling to America to meet him and having a most excellent adventure.

The following is what I wrote in mid 2006 while living with my parents at their home near Stourbridge in the West Midlands of England. I thought it was about time I put this up, as its just sitting on my hard-drive gathering moss, enjoy, love, steve.

P.S I now have the audio recording I made from the Prophets conference I can share here.

Universe Contains a maybe monday by rawmemorial


I first met Dr. Wilson on the 17th December 2000 A.D at the Prophets Conference in Palm springs, California, only 4 days after Al Gore said ""This is America, and we put country before party."  conceding  to Bozo the clown in what might have been the most crooked election in U.S history, although the 2004 election may prove to even topple that.  RAW opened his presentation titled "The Universe contains a maybe" with the line "George W. Bush is the president of the United States...maybe?" and continued to keep the audience smiling and in high spirits all throughout his epic, encyclopedic sit-down comedy cornucopia. 



Six years on, and RAW seems as optimistic and cheerful as he ever was, perpetually glossing the world and its "other" with practical and scientific solutions, models, metaphors for our human condition. His alchemical unity of science and mysticism through the lenses of social psychology, humor and poetry illuminates, to me in (2006), the observation that language and the "other" places beyond language will provide us, the stewards of spaceship-earth, with new portals of discovery that can help nurture communication between different people's, nation's and species. His humble wisdom and teachings are an immortal kind of "Timespace capsule" as any bookshop or internet search will indicate his increasing presence throught the mediasphere, to not speak of his rather under acknowledged shadow as countercultural legend and outer head of the inter-galactic super Illuminati.



I would like to extend my gratitude to Dr. Robert Anton Wilson for his time and patience towards his merry tribes of interacting readers and processing patients everywhere. I will also take this opportunity to thank my family, friends and fellow poets for their critical support and optimistic humour that helped sustain me, as an independent artist within various challenging environments.
--
I first met Dr. Robert Anton Wislon in Palm Springs California at the Prophets conference where i was fortunate to have been asked to provide assistance to Bob throughout the conference, we enjoyed dinner together and had a Manhattan or two together with Paul Krassner and his wife.

Later in different company we shared a fragrant bit of Marijuana - a recent cannabis-cup winning weed called Williams Wonder which transformed Bob into the image of Yoda before my eyes, wise, old and green. The wonderful weed was provided courtesy of Richard Metzger. 

Earlier that day i had offered Bob some Liberty Cap mushrooms i had carried some 6000 miles with me in my pants, Lovingly picked from the Wychbury hills in the West Midlands of England close to where i grew up, alas Bob turned down my offer but seemed to enjoy my wry smile and laughed with surprise when i produced the mushrooms.

AHA! At the Prophets Conference 2000 A.D in Palm Springs i had gave Bob a copy of a book called the Stargate Conspiracy by Lynn Picknett and Clive Prince and he was reading it while at the conference and even talked a little of his initial impressions of the book. I gave this book to him because he was mentioned in the book and i felt an author should at the very least have a copy of any book they are mentioned in. 

Two and half years later i gave another text to Bob at his home in Santa Cruz, the book was "The Cosmic Serpent" by Jeremy Narby that i had with me and wanted to leave with Bob when i discovered he had not read it plus the fact that it had recently come up in an e-mail Bob received. Another 2 years later - September 2004, myself and over 50 other critters were exchanging blooks, essays, poetry, art and music with Bob during various courses he led at the new internet based Maybelogic Academy. 



In San Francisco i saw Bob on four occasions, two at the learning annex San Francisco and one of these events i was an assistant in video taping the event for Soundphotosynthesis archive. I also worked upon some editing of this presentation afterwards but am unsure if the recording is finished and available at Soundphotosynthesis. Another in S.F event was called Pantheon conference 2001, held at the Renaissance hotel - i sent a Manhatten to his table as i knew what his favorite drink was.

On september 10th 2002 i travelled to Bob's home in Capitola and spent three or four hours that felt like several days in fascinating conversation with him.  A partial textual transcription of the recording from this afternoon has been published in the online magazine (Maybelogic Quarterly Vernal Equinox 2006) co-created by members of the maybelogic academy. Considering that i turned up to Bob's house with no credentials, without flashing an I.D card, or waving a press pass or PHD.

I introduced myself as Fly Agaric on BOB's intercom and he simply asked me if i wanted to come up. He treated me with upmost respect and trusted me in his own personal home space, he allowed me to set up some recording equipment and fiddle with his electric plugs, drink cans of Guinness and smoke weed on his balcony. I mean... What a Giza! And to then continue to entertain me with his razor wit and encyclopedic trademark intelligence, me, a nobody from England, a young cosmic Schmuck with a passion to know more about what the hell is REALLY going on, and a lad who had found the living oracle and was now engaging with him, laughing a lot, feeling comfortable and having fun.

You might ask yourself how many other 72 year old celebrity writers, comedians and philosophers would tolerate such things, i mean imagine tracking down Dan Brown to his house, getting buzzed in and then only 20 minutes later drinking Guinness, smoking pot, eating Marijuana brownies and having a right good chin wag? More reasons to read Robert Anton Wilson, i discovered that day another secret of the Illuminati - be humble. 



The next time i met Bob was at the launch of his first and only biographical Movie premiere in Santa Cruz on the auspicious date 23 July 2003 (30 full years after his first telepathic experiences with doggies from the double star system Sirius.) On this occasion i was also celebrating my own contributions to this movie project and the very generous title given to me by Deepleaf productions of "Associate Producer". I felt ecstatic! After the show i saw Bob briefly while getting into a jaguar and riding off into the Santa Cruz night like the final scene from the Usual suspects. This was the last time i saw Bob in the flesh, he had the physical attributes of a Chan Buddhist monk, an Irish Bard and a witch. He also looked to me like Xavier from the X-men in the year 2023 but with wild Einstein-white hair. Always well dressed in a dinner jacket and a ruffled enbroidered silk shirt, his Celtic spiral ring  beaming off his large blue eyes, his speech slightly slurred due to a recent pair of teeth i believe, he must have wore out his last pair on that senator from Washington D.C? Yeah, i suppose Bob was like a grandad figure to me because of his age and appearance but also his influence upon this particular journey (all the way from New orleans) and my current life in America to some extent, having originally came to America to hear his presentation "The Universe contains a maybe" at the Santa fe Prophets conference, but he became Ill and could not make it.

This incident led to me being asked to help Bob at the next conference in Palm Springs - Dec 2000 A.D, and so it goes. My own journey into Chapel perilous had begun. Fortunately i was among kind family in the Bay area and got treated with much love and respect by the inhabitants, i was given food, lodging, access to the internet, gigs and the kind of trust and respect you might expect from close neighbors of fifteen years.

The Utopia i had only imagined was real, San Francisco, Oakland, California, with all the creative forces and cultural waltzing, i was living in a novel, and my friends reflected for me the kind of hero's and positive forces within classic stories and myths, tales - lending a helpful hand, asking you to come to the party, the show, the art opening. I began to feel and tune in the vibe, you know the VIBE, it seemed everybody was from somewhere else on the map, all around the world. I could feel the same kind of optimism and technological embrace and multicultural celebrations that i often get from reading RAW in some sense, although my gloss is skewed or maybe not skewed in a RAW fashion because i read him so damn much.


Steven James Pratt (September 2006)

ROBERT ANTON WILSON: UNIVERSE CONTAIN'S A MAYBE



ROBERT ANTON WILSON:
UNIVERSE CONTAIN'S A MAYBE


December 16, 2000, Palm Springs, CA.
Speaking at the Prophets Conference ~ Palm Springs (number 8) held at the Marquis Resort Conference Center.

Recorded by Steven Pratt using a portable minidisc recorder. Special thanks to Robert Anton Wilson for encouraging me to record and inviting me to his room afterwards for an exclusive recording and some tasty clandestine reefers.

NOTES:
17th December 2000, Dr. Wilson gave a performance at the Marquee Hotel, Palm Springs, as a part of the Prophets Conference, now (Great Mystery) that marked the second leg of my five year travel excursion around the USA, studying his work and forwarding my own. I hope the sharing of this performance inspires like minded individuals.

I was RAWs care-taker during the three days of the conference and helped him around in his wheelchair, opening doors and getting him to his performance on time.

I recorded his presentation on my trusty old mini-disc recorder, that captured hundreds of hours of my American adventures. I only recently found the disc and transferred it to a 'digital format' so I can now share the entire show. Please accept my apologies for the sound quality and my sad state or organization that has led to this ten year gap from performance to distribution.

"I had a manhattan with my lunch" --Bob

Bobs performance was amplified for me by the fact that we were sitting together with Paul Krassner and his wife before the gig drinking Manhattan's and having a jolly good old belly laugh, I think that Bob was a little tipsy going up onto the stage and really let his bullets fly, getting into cock sucking, the Bush Gore election, Bell's theorem and more cock sucking to hilarious effect. I imagined Bob spiced up his act to impress Paul who was sitting at the front, I must admit that I had to hold back my laughter due to making the recording and not wanting to be chuckling throughout.

In retrospect 'The Universe Contains a Maybe' gives an example of RAWs comeback after his first stroke that left him wheel-chair bound, and his first public speech after the now historic turning point in American history, the Florida election and recount, and recount, and recount.

A line that stuck with me from early in his show was '...if the United States wasn't trying to dominate the whole world, we wouldn't be threatened by Terrorism' and Bob goes on to reference the first World Trade Center bombing, just nine months before 911, and when I now hear Bobs typically brilliant, erudite and fact-filled spoken prose on 'foreign policy' 'corporatism' and the 'Military industrial state's' I wish to accent his anarchist pacifism, considering earth 2010 culture, and his general good will to the disenfranchised, the down trodden and innocent victims of Imperialist, and in this case, American greed, ignorance and violence.

"BULLLLSSSSHHHHITT"--Bob.

Add to Bobs 36 books and thousands of unique and ground breaking articles, his spoken freestyle genius and ability to educate and entertain a crowd like no other sit-down comedian (scientific philosopher) who ever lived, and you start to see the distance from the rest Bob was in his prophesy, although, he would probably not use that term, but here, I think it perfectly describes the content of his presentation, only months before something, like something from out of one or two of his fictional epics; became a new reality. 911, the war on terror, more stolen election activity, foreign meddling, and the banking heists, and the continued war on some drugs.

Even with Bob gone we can revisit his wisdom and wit and laugh along with him, at least temporarily, and each time I listen to one of his presentations I feel safer, I feel that the world is a safer place and feel more optimistic about our collective futures, the emergent technology for realizing the hermetic hologram of art, and collapsing the mechanism for centralized control, corporate monopoly and general brainwashing.

Bob wrote on taboo and censored subjects, subjects that still today still only a handful of investigative journalists would touch, perhaps wikileaks? he has been writing about some of the most challenging things to humanity in a caring and yet viral style, for a long long time, 'things' that some suspect might get you killed, harassed and just generally fucked with.



"Live with Integrity" --Bob

Bob taught a resilience and intelligence and that its OK to write about anything, really, even the truth, and to always question authority, the scientific, religious and militaristic, the richest and the most-powerful, the ruthless and the criminal, question authority and think for your self, and to live your life as if this is your duty, as a writer, philosopher and scholar activist. Whoever you are, I hope you can pass it on.

Please visit the following links that embody my thanks to those who have helped forward the life and works of Bob. May these recordings find bright future audiences and RAW scholars alike and tickle them.

For more details on this recording please visit my extended linear notes in progress at http://ataleofatribe.blogspot.com/

Love, steve fly

http://paulkrassner.com/
http://www.ep.tc/realist/
http://www.maybelogic.org/
http://maybelogic.blogspot.com/
http://www.rawilson.com/home.html
http://www.greatmystery.org/history.html
http://www.maybelogic.com/
http://ataleofatribe.blogspot.com/
http://raw.maybeee.com/
http://www.myspace.com/rawmemorial
http://rawillumination.blogspot.com/
http://tsogblogsphere.blogspot.com/
http://photosynthesis.com/
flyagaric23
djflyagaric23
Released by: fly agaric 23

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Maybe Logic and the tale of the tribe: a no-place place.

The following 'testimonial' is edited from a post I made at the Maybe Logic Academy some months ago when I was inspired by 'evolver.net' calling for members to make testimonials to their social network, I wanted to write a testimonial to the open learning network encircling the 'Maybe Logic' meme, and dashed something off that I felt on re-reading required some editing, and clarification. Thanks, steve fly.



Maybe Logic and the tale of the tribe: a no-place place.

A no-place place where like minded individuals can share feedback with cutting edge community of bright optimistic and tolerant networkers, a no-place place constructed using blueprints forged by the 'lives' and 'ideas' of Dr. Robert Anton Wilson, with the good doctors assistance.

Closely related to study of humanities and what Bucky Fuller defined as ‘livingry’ I feel that the ‘open source alternative education movement’ with a dashing of dream and pun has been fully realized by the MLA network: a place to study alongside Bob himself, in a Universe next door.

The MLA enhanced my experiences over the last six years and has influenced what I read, write, think and how and where I live today. Seduced by the treasures shared by uncle Bob' and hosted by the MLA, decomposed and recomposed by MLA faculty staff plus the wonderful new network of brave friends and beloved 'hero’s' of this invisible ‘open university’ of RAW studies.

Over the six years of studying classes and contributing to the MLA forums, I guess thousands of people have studied classes here, thousands, but only a relatively small number of people, perhaps 13, are active posters and contributors to the MLA forums today. These characters are now legendary to my mind, when forums v1,2,3,4,5 are combined in their encyclopaedic content concerning the 'lives' and 'ideas' of RAW, his influences, and the varied interpretations of work.

The community of volunteer contributors help define what I view as an exemplary ‘open’ learning environment, in contrast to the weakness of a capitalist corporate structured ‘learning Academy’s’ or other social networks and learning centres often programmed, packaged and branded like soft drinks, a shop front for the super major corporations and mass employers to target, strike and run off. The Maybe Logic Academy, the classes, content, structure and distribution are a model of 'education in the digital age.

A hierarchy of values and individuals who embody the values expressed in their deeds, artefacts and daily speech, help define the ‘things’ under observation. The combination of 'Maybe Logic' and 'the tale of the tribe' present such a system,  respectively, I might define them as Principle and Performance, or a 21st century information processing principle and a RAW engineered performance of a hierarchy of values, as expressed through some of the greatest humanitarian thinkers of our time, thinkers scattered throughout the ‘life’ works of uncle Bob, alternative foundation pegs for a connected, equalibrius new 'Global' paradigm that includes the hidden variables of history, the anomolies, minority reports and 'indeterminacy'.

Here are a handful of links to blogs, books, web sites and articles culled from the MLA network that I deem to be of benefit to any reader of Dr. Wilson who finds themselves drawn closer to the fire, with an insatiable hunger for knowledge through experience and experiment, love, steve. flyagaric23 @ gmail . com


In no particular order:

http://www.maybelogic.net/

http://www.maybelogic.org/maybequarterly/

http://maybelogic.blogspot.com/

http://mla-collab.wikispaces.com/

http://www.rawilsonfans.com/

http://taleofthetribe.org/

http://www.bobbycampbell.net/

http://clinamen23.blogspot.com/ 

http://www.deepleafproductions.com/wilsonlibrary/index.htm

http://tribes.tribe.net/maybebabies


http://raw.maybeee.com/

http://www.maybelogic.org/courses.htm

http://slogger.blogspot.com/

http://www.amazon.co.uk/Insiders-Guide-Robert-Anton-Wilson/dp/156184165X

http://dylanfogle.com/index.php/robert-anton-wilson/

http://raw-data.blogspot.com/

http://www.myspace.com/rawmemorial




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