Showing posts with label flyagaric23. Show all posts
Showing posts with label flyagaric23. Show all posts

Rotifer - A Visual Album By Garaj Mahal (Promo Clip Brd)

 
Brd clip, Taken from the Full Length Visual Album: Rotifer. GARAJ MAHAL are: Kai Eckhardt, bass. Oz Ezzeldin, keys. Fareed Haque, guitars. Hassan Hurd, drums. ⁨@GarajMahalMusic⁩ & ⁨@flyagaric23 You know the drill: Subscribe, like, share, dance. To build a parallel science-fiction Rotifer universe based on the real world of ⁨@GarajMahalMusic⁩ and their album is like nectar and ambrosia. I took the ball and ran with it. Imagined, storyboarded, prompted, synced, edited, arranged, titled. I hope you enjoy these wild interpretations. Thanks to team rotifer for encouraging experimentation. All love. --Steve Fly If you wish to support, drop a tip, please consider unlocking hundreds of dj mixes, videos, over @ Patreon. https://www.patreon.com/stevefly


 

Rockers, artists pay tribute to James Joyce with massive project

“What I found out,” says Pyle, “was that there were all these niches and subcultures — dead heads, punk rockers, out-there artists, avant-garde classical musicians, Robert Anton Wilson fans — and within their subcultures ‘Finnegans Wake’ has a lot of importance. ... What I think happened was we were able to bring together a bunch of niches, people who were interesting and also supportive — that cult thing, when you’re really into something, you’re really into something. We brought together those people as both audience and contributors.”
http://www.telegram.com/entertainmentlife/20170510/rockers-artists-pay-tribute-to-james-joyce-with-massive-project

Robert Anton Wilson & Steven 'fly' Pratt: A Serial Killer In The Whitehouse





A teaser from my full audio interview with Dr Robert Anton Wilson, recorded at his humble home in Capitola/Live Oak/Santa Cruz, California (looking out over the Monterey Bay).
This recording was rediscovered in a jumble-bunch of mini discs--if you can remember that flash-in-the-pan format--only last week. I made my first round of rough chapter edits, and here is part 6 out of 32.
Please share the good news and in he meantime visit:
www.rawilson.com
&
raw360.net
&
www.rawillumination.net
&
maybelogic.blogspot.com
&
www.cosmictriggerplay.com
Love ALL the more people
x
steve fly agaric 23

Rawillumination on Cosmic Trigger Replay

Thanks once more to Tom Jackson over at Rawillumination, for the heads up.

--steve fly

http://www.maybelogic.net/about-menu/faculty/upcoming/cosmic-trigger-re-play


Reminder for new Maybe Logic course on RAW


Bogus Magus, aka Toby Philpott
The new Maybe Logic Academy course on Robert Anton Wilson is just around the corner — Sept. 23 — and features Bogus Magus (aka Toby Philpott), Bobby Campbell, Propaganda Anonymous and Steve "Fly Agaric" Pratt, a kind of Anglo-American all star team.  The official announcement and more details are here; you pay whatever you can afford.

Pratt organized the course and recently emailed me about how it came about.

"When i got news of the 'Find The Others' festival, scheduled for the day after the Cosmic Trigger stage play in Liverpool, (23rd November) i saw a doorway of opportunity to reignite the MLA community, and ride shotgun with the rising tide of RAW activities. The MLA MGT also shared the vision, so it goes.

"Bogus, Bobby and Prop were in typical kindhearted agreement to create something new, and each shaped up a two week prescription to trigger cosmic integrity in the minds of the people. I would also like to thank the MLA webmaster, for engineering the back-end of the class and bringing valuable feedback. Bobby provided all visuals without missing a beat, in the tradition of the community spirited artist movement of the 1960s.

http://www.rawillumination.net/search?updated-max=2014-09-20T01:23:00-07:00&max-results=7

Astral Projective Verse: assignment 1. 1968

Astral Projective Verse: assignment 1

Introduction.

The following is a rough start to an example of what i am calling Astral Projective Verse, tongue in cheek, named to have fun. It starts with a shored dream fragment, and then leads into a kind of proposed group 'historical intersection point' where we could pitch our astral 'mental' tents? i did for a moment and here are the results...
best wishes,
--steve fly
(warning, check the length of this message, it might be longer than you expect, just saying x steve)

Dream Fragment: Morning of Saturday 18th January 2014:


The projective dream author found himself nealing down next to a body of water, either a lake or the ocean. However, the water was still more like a lake. Just below the surface were some rocks with bright green moss shimmering in the brown/azure water, trance like.  I reach with my arm into the lake to find a bunch of keys, instinctively i feel these are my keys. I reach down again to find more objects, but these are beyond description. I felt a sense of awe and wonder at my discovery, general accomplishment.

In retrospect tonight, Sunday 19th January, i have somewhat forced the lake to be the lake in Lincoln park, Chicago. On closer inspection, perhaps it was: Alfred Caldwell Lily Pool: https://en.wikipedia.org/wiki/Alfred_Caldwell_Lily_Pool

Or perhaps its the fountain of the great lakes in Grant Park: 
https://en.wikipedia.org/wiki/Fountain_of_the_Great_Lakes


1968 Intersection Point: Astral Projective Verse assignment 1


Following my own system of research, developed during my on-line class 'Email To The Tribe,' i picked 13 characters who were present on world during the 1968 Chicago convention, and who fit with the more general 'revolution in language' often associated with 'the tale of the tribe'.

Here, in 1968 we find an intersection point, or a synchrony-mesh, a furtive place-time to observe using the telescope/microscope of flexible insight and special techniques for conjuring the ambiance of the time-place under investigation. Focused imagination.

We have a phase array of versions of the events from some of the great minds of the 20th century, we have specific times and places and sensory poetic reflections on the happenings. I cannot suppose that all these characters were in earshot but to know they were present, in some capacity, opens the door to invoke them and their verse into our tale, to mix them into the giant cauldron bubbling away in Lincoln park.

Many reports of the events taking place in Lincoln park on Saturday 24th August, at 4.00 PM give a good picture of a specific event, the brief performance of the MC5. The band got its power from a generator belonging to a hotdog vendor.

Here, in the park, with the backdrop of 5000 hippies freaking out to the sonic innovations of the MC5 we project our characters, all gathered together in a fictional universe, not too far away from the one recorded by historians, and agreed upon by most people. An intersection point, a specific target for an astral projective verse experiment. (please see my previous post on APV).

To open up my shared imagination a little, lets imagine a mixed aroma of marijuana, onions, gasoline, on the wind. The crackle and fuzz of electrified guitars and microphone feedback, the dry thump and padded bop of distant drums, cymbals building up a series of factory like pings and pangs, the sound of wooden stix on metal. The hum of the generator, running at full capacity to power the music. The rambunctious yippies and cheers of 5000 hippies dancing and celebrating life. The distant sound of sirens and police whistles, the sound of horse hooves and more police whistles.

Here, Robert Anton Wilson, William S. Burroughs and John Sinclair and passing a joint of Acapulco gold, rolled like a torpedo by Ed Sanders. Ginsberg misses a round due to having a sunflower protruding from his mouth. Norman Mailer is shadow boxing with Abbie Hoffman, while Carl Oglesby and Terry Southern look on, wondering if Norman was going to really connect with Abbie. Wayne Kramer hits a 'space note' shortly followed by the rest of the band, all playing free-form in the tradition of Sun Ra and his Arkestra.

RAW is discussing Carl Jung and Wolfgang Pauli with Burroughs, who in response recalls a short tale of James Joyce and his fascination with Synchronicity and the fact that he inserted many of his own moment of synchronicity, or in his own terms you might say Epiphany. Raw respond with the story of Carl Jung and his dream of Liverpool, and it's lasting impact on his work afterwards, commenting how the fountain that he saw earlier at Grant Park, reminded him of Jung's dream. Burroughs then told RAW about his synchronicity surrounding the number 23, and retold his Captain Clark story.

Ed Sanders and Ginsberg launch into the actual poem called 'The tale of the tribe'. Ginsberg, who recently came back from visiting Ezra Pound in Italy, was channeling Ez, while Ed Sanders was channeling Charles Olson. Together they spontaneously presented the history of civilization, the birth and gestation of languages, arts, music, poetry, writing, conflict, war, oppression, civil disobedience up to 24th August 1968 in a terse, information rich prose, epic, and including history.

Slowly the group begin to pass the hay, with the music still playing in the background and the Chicago police and their whistles and bullhorns getting nearer, the gang begin to jam together, projecting their observations and innovations into the mix. You get the picture?

So this is my own imagination at work, bedding the truth in waking life, having a stab at a point in space-time, buried somewhat in the noise, but polished and presented here as a nodal cluster of innovative possibilities for further research, to mean have them activated by using some special method or other. Some of these methods will involves weeks and possibly months of consistent meditation.

My methods relating to my class email to the tribe: ETTT, for example, include creating a tally of attributes for each character: Texts, Teachings, Theos, Totems, Tailors. Next, i suggest creating an alphabet of magical objects associated with each character present in 1968. When a number of characters and their attributes have been created they can be fixed together in various geometrical patterns, based here upon some of the geometries of R. Buckminster Fuller. This was the model I followed for my novel Sixty (2011) and the Icosahedron and Dodecahedron in particular. The Pentagon/Pentagram and the Hexagon/Hexagram were also used. With some playful creativity one can create multiple sided objects that can function as a kind of dice, to be thrown. Hence, mixing ideas in a literal sense from the characters under investigation. This method should be used loosely in tandem with the improvisational and spontaneous imagination.

These obscure practices, when used in conjunction with some of those described by Orphiel in 'The Art of Astral Projection' and Charles Olson, in his essay: Projective verse, and when these are specifically designed to accommodate a certain intersection point in space-time, provide new tools and methods i recommend highly.



Projective after-thoughts


The Festival of life exhibits a turning of negative violence and state sponsored ignorance into a celebration of non-violent civil disobedience and the joining together, literally hand in hand, of great poets, musicians, writers, and thousands of illuminated seers of the future. Many bright sparks who quickly recognized the American hegemony of global trade, surveillance and banking chicanery or usury.

In 1968 the public display of police brutality reverberated around the world, and helped shape the trajectory of the growing counter-culture, alternative thinkers the new artist-activist-scholar-bards of 60’s America who went on to reshape the landscape of modern poetry, music and the art of peaceful powerful protest worldwide, IMHO.

Yes, so bringing it all into a certain radius, hundreds of future prophets of the information age, together in the same geographical location. A special intersection point, and good target for an experiment in astral projective verse. (which is a process under development, and experimentation as I write this)
--Steve 'fly' Agaric 23

January 19th, 2014.
edited March 3rd, 2014.

Panorawma for Robert Anton Wilson (2013)



Panorawma
(for Robert Anton Wilson)


handcrafted study
in every direction:
Robert Anton
Wilson’s 360
digital artefacts now
fly thru a CHU space, hand
drawn appliances
of raw sciences

fresh crafted platforms
state-of-the-art in house
to look around use fingers
gyroscope, arrows or mouse

visit Washington cash spill
illuminate, cool off
cook listen wash-up
go to pot or

grill, open calendoor
playback answer
machine

to zoom: pinch or use the + & - icon
aim beyond language
Into SPACE, go on

explore rich n’raw media
behind hots-pots
cooking
panorawma views
you choose

--Steven ‘fly’ Pratt. 23rd January 2013.
www.raw360.net

Bigendig of Mayan Long Count in Panoramas

At Chichen Itza last week--between playing drums for Fantuzzi, The Earthlings, and The peace tribe band at the chaotic 'synthesis2012 festival--ifly, made some panorama photographs using my I-Pad, and shot some weird underwater video in a cenote called Encantado (rumored to have a female crocodile living in it!)

My journey was really FAR OUT and mystical, beautiful and challenging all-at-once. I got into more textual porridge over at my acrillic blog. Be my guest:

I opened an account with www.360cities.com today, and wanted to share my first batch of panos. Love, steve fly


My Trip to Chitchen Itza and Tulum 21st December 2012: (Condensed diary spillage):






Reflections on my trip to Chichen Itza: (a prose introspective streaming dollop)
http://acrillic.blogspot.nl/2012/12/reflections-on-end-of-mayan-long-count.html

360 PANORAMAS BY FLY.

"And greater grown then in the trifle of her days, a mouse, a mere tittle, trots off with the whole panoromacron picture"--James Joyce, Finnegans Wake. pg. 318  

Snapped December 21st, 2012. Chichen Itza.









Atom and Archetype: The Pauli/Jung Letters, 1932-1958 Edited by C. A. Meier

 

Atom and Archetype:
The Pauli/Jung Letters, 1932-1958
Edited by C. A. Meier
With a new preface by Beverley Zabriskie
Translated by David Roscoe



PAULI AND JUNGIAN ANALYSIS

In his physics, Pauli sought a unified field. But his personal life was one of fragmentation and dissociation. Within one year, his mother poisoned herself in reaction to his father's involvement in an affair, and Pauli plunged into a brief marriage with a cabaret performer. At thirty, he turned to Jung for help.

Jung, in his 1935 lectures at the Tavistock, offered the following example of dreams effecting change:
I had a case, a university man, a very one-sided intellectual. His unconscious had become troubled and activated; so it projected itself into other men who appeared to be his enemies, and he felt terribly lonely because everybody seemed to be against him. Then he began to drink in order to forget his troubles, but he got exceedingly irritable and in these moods he began to quarrel with other men. . . and once he was thrown out of a restaurant and got beaten up.16
Jung saw that "he was chock-full of archaic material, and I said to myself: 'Now I am going to make an interesting experiment to get that material absolutely pure, without any influence from myself, and therefore I won't touch it.'" He referred Pauli to Dr. Erna Rosenbaum, "who was then just a beginner . . . I was absolutely sure she would not tamper." Pauli applied the same passionate brilliance to his unconscious as to his physics. In a five-month Jungian analysis, Pauli recorded and spontaneously illustrated hundreds of his dreams. "He even invented active imagination for himself He worked out the problem of the perpetuum mobile, not in a crazy way but in a symbolic way. He worked on all the problems which medieval philosophy was so keen on."17 For three months, "he was doing the work all by himself, . . . for about two months, he had a number of interviews with me . . . I did not have to explain much." Jung believed Pauli "became a perfectly normal and reasonable person. He did not drink any more, he became completely adapted and in every respect normal . . . He had a new center of interest." Jung had thirteen hundred of Pauli's dreams as the basis for his research into alchemical symbolism in a modern psyche. "At the end of the year I am going to publish a selection from his first four hundred dreams, where I show the development of one motif only."18
The physicist F. David Peat believes Jung's assessment of Pauli's state after his termination with Dr. Rosenbaum was too positive. Pauli's new "reasonableness" didn't last, and later he again drank excessively.
While Pauli's work aimed toward a "psychophysical monism," his intense inner tensions seemed to manifest physically in the so-called Pauli Effect, when his mere presence caused laboratory equipment to explode or fall apart.19 His internal "monotheism" and his sharp critical acumen and tongue earned him the titles "scourge of God," "the whip of God," and "the terrible Pauli." Even in the midst of personal disarray, Pauli kept his stance as a scientist of such rigor that he was called "the conscience of physics." Asked whether he thought a particular physics paper was wrong, he replied that was too kind--the paper was "not even wrong."20 Heisenberg's account of a 1927 conversation reveals that, in his youth, Pauli was concerned about the distinctions between knowledge and faith.21 Heisenberg saw that behind Pauli's
outward display of criticism and skepticism lay concealed a deep philosophical interest, even in those dark areas of reality or the human soul which elude the grasp of reason. And while the power of fascination emanating from Pauli's analyses of physical problems was due in some measure to the clarity of his formulations, the rest was derived from a constant contact with the field of the creative and spiritual processes for which no rational formulation as yet exists.22 For Pauli, the creativity of science included considerations of the psyche. In science, he subscribed to the quantum uncertainty theory that the position and presence of the observer changes the perception and reality of what is observed. To that thesis--that one cannot measure the wave and the particle at the same time--he added a psychological dimension, observing that insofar as the scientist must opt to know "which aspect of nature we want to make visible . . . we simultaneously make a sacrifice, . . . [a] coupling of choice and sacrifice."23 Pauli demonstrated the value of intuition to science's empiricism. As Weinberg recounted,
physicists in the early 1930'swere worried about an apparent violation of the law of conservation of energy when a radioactive nucleus undergoes the process known as beta decay. In 1932 Wolfgang, . . . Pauli proposed the existence of a convenient particle he called the neutrino, in order to account for the energy that was observed to be lost in this process. The elusive neutrino was eventually discovered experimentally over two decades later. Proposing the existence of something that has not yet been observed is a risky business, but it sometimes works.24
In a metaphysical leap, Pauli referred as well to "forms belonging to the unconscious region of the human soul" and stated that "the relation between a sense perception and Idea remains a consequence of the fact that both the soul and what is known in perception are subject to an order objectively conceived."25 He acknowledged that he had realized in a dream that the quantum-mechanical conception of nature lacked the second dimension, which he found provided by the archetypes of the unconscious.
It seems, however, that he could not find his way to the uncertainty, the "choice and sacrifice" that allows for reparation within analysis. While Pauli knew "that a truly unified view must include the feeling function, since without feeling there is no meaning or value in life, and no proper acknowledgment of the phenomenon of synchronicity," M.-L. von Franz said that he later sought only a "philosophical discussion of dreams":
He wrote to me . . . [and] made it clear that he did not want analysis; there was to be no payment. I saw that he was in despair, so I said we could try. The difficulties began when I asked him for the associations which referred to physics. He said, "Do you think I'm going to give you unpaid lessons in physics?" . . . He wanted something, but he didn't want to commit himself. He was split.26
Van Erkelens speculates that Pauli would have had to submit to a transference and to a deeper Eros than "his inner urge to develop a unified view of matter and spirit." For whatever reasons, von Franz and Pauli were not able to achieve the relational bond that holds and contains explosive emotional material and so allows surrender to one's unconscious and to a suffered analytic relationship.
Jung and Pauli corresponded and later met, not for analysis but for a comparison of ideas--Pauli pursuing Jung's synchronicity thesis and Jung fostering Pauli's understanding of the archetypal and collective factors in the psyche. Through their contact, William James's two fields, to which both Jung and Bohr had been attracted, come together again. Von Franz writes that the
notion of complementarity introduced by Niels Bohr to provide a better explanation for the paradoxical relationship between waves and particles in nuclear physics can also be applied to the relationship of conscious and unconscious states of a psychic content. This fact was discovered by Jung, but it was particularly elaborated by Wolfgang Pauli.27

http://press.princeton.edu/chapters/s7042.html

COPYRIGHT NOTICE: Published by Princeton University Press and copyrighted, © 2001, by Princeton University Press. All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher, except for reading and browsing via the World Wide Web. Users are not permitted to mount this file on any network servers. Follow links for Class Use and other Permissions. For more information, send e-mail to permissions@press.princeton.edu

TTOTT in 12 lines or less

TTOTT in TWELVE by Steve 'fly agaric 23' Pratt.

  1. without pip center/ever changing cyclic world/Brunocentral
  2. gods hero's and men/recycling through the ages/recorsi vico
     
  3. eternal return/the gods nietzsche left us here/beyond either or
     
  4. oak branching forces/ideogramic method/Fenollosa's trees
     
  5. spatial symbolist/weasels fighting in a hole/before the war Yeats
     
  6. Ezra made it new/cantos brewing history/juxstaposition
     
  7. Joyce cracked the cypher/hologramic comedy/to make Einstein cry
     
  8. word is not the thing/no such noun only see verbs/motion in the thingzski's
     
  9. ...went in for structure/geodesic dymaxy/future's Fullerene
     
  10. Boolean Logic/and electrical switches/bit twinned by Shannon
     
  11. turn on tune in drop/Joyce in digital village/Ez save McLuhan
     
  12. Orson at hawks well/cinema collage life force/fake filter buster