DEE: The Arch-conjuror of England. BRUNO: The arch-conjuror of Europe?

Who could resist a new book about the celebrated, notorious “arch-conjuror of England,” Dr. John Dee (1527-1609)? A contemporary of Queen Elizabeth I, Dee possessed what was probably the finest private library in the country. He lived near the Thames in a house with a name that any Gothic novelist would steal in a minute: Mortlake. As a young man, he was a pupil of Gerard Mercator (whose maps are still famous) and studied the works of all the most notable alchemists and natural philosophers of Europe, including Paracelsus, Raymond Lull, Johannes Trithemius and Henry Cornelius Agrippa. Dee might even have met Giordano Bruno, who, during a visit to England, joined the circle of their mutual friend, the occult-minded poet Sir Philip Sidney. (In 1600, Bruno was burned at the stake, ostensibly for his heretical beliefs about the nature of the universe.) In 1584, this English wizard even made a laborious journey to Rudolf II’s Prague, the center for astrological and hermetic research in the 16th century — in essence, the capital of magic. http://www.washingtonpost.com/entertainment/books/the-arch-conjuror-of-england-john-dee-by-glyn-parry/2012/06/06/gJQAOGOUJV_story.html
Galileo was only placed under house arrest because of his “repentance,” but others such as Michael Servetus (1511-1553) and Giordano Bruno (1548-1600) were burnt at the stake. http://www.thenews.com.pk/Todays-News-9-113602-Lessons-from-the-Galileo-affair

Joyce's Voices by Bogus Magus (from Only Maybe blog)

Friday, June 01, 2012

Joyce's Voices

For Bloomsday this year (16 June 2012) the BBC will be handing Radio 4 over to Ulysses. Throughout the day there will be readings of a special adaptation of the text, along with live broadcasts from Dublin (where fans re-enact moments from this complex book. Sadly, this may not prove accessible to all countries.

This will be an edited version, not the 'complete' text which was broadcast in 1982 (which took nearly 30 hours).

The details below are from the BBC Media Centre (without permission) which contains further information.

Here, at a glance, are the main Bloomsday broadcasts on Radio 4:

Part 1 09.00 – 10.30: Saturday Live From the Martello Tower to School
Sian and Richard present a special Bloomsday edition of the show, which will include the first three extracts from the drama as well as discussion and location reports, with input from Mark Lawson in Dublin.

Part 2 10.30 – 11.00 From Bloom’s House, through the Morning Streets, to a Funeral

Part 3 12.00 – 12.30 From the Beach, to a Newspaper Office, into Davy Byrne’s Pub

Part 4 14.30 – 15.30 The Library, Through the Lunchtime Streets, to the Ormond Hotel

Part 5 17.30 – 18.00 In Barney Kiernan’s Pub

Part 6 20.00 – 22.00 From Sandymount Beach at Evening, to the Maternity Hospital, and into Nighttown

22.15 – 23.00: Ulysses Today Mark Lawson chairs a discussion about the abiding popularity of Ulysses and its relevance today, with Declan Kiberd, author of Ulysses And Us – The Art Of Everyday Living; Professor Anne Fogarty, Director of the Dublin James Joyce Summer School; and others.

Part 7 23.00 – 00.00 From a Cab-man’s Shelter, to Eccles Street and Home

In the week before the Bloomsday broadcasts, Radio 4 and Radio 4 Extra will be broadcasting a number of programmes on the theme of Ulysses:

James Joyce had a fine singing voice and sang professionally as a young man. In James Joyce’s Playlist, David Owen Norris and guests will listen to some of Joyce’s favourite songs in the Martello Tower in Dublin where he lived for a time. This will be broadcast on Saturday, June 9th.

On Thursday, June 14th In Our Time will discuss the background to Ulysses, considering its historical and literary context, its themes, contents and style, and the impact it has had since publication. Melvyn Bragg will be joined by Steven Connor, Professor of Modern Literature and Theory at Birkbeck College, London; Jeri Johnson, Fellow and Tutor in English at Exeter College, Oxford; and Richard Brown, Reader in Modern Literature at the University of Leeds.

4Extra: Blind Date With Bloomsday – another chance to join Peter White on his Bloomsday visit to Dublin, during which he meets some enthusiastic celebrants. Friday, June 15th.

Shannon Info, Jung-Paul Synchro, digital holographic DNA cosmology stuffing

Is preparing food for my nerdrons: Claude Shannon's Information Theory and DNA sequencing as fresh news that seems to me a hopeful avenue for some cutting edge research: 
"What they prove is that there is a channel capacity that defines a maximum rate of information flow during the process of sequencing. " It gives the maximum number of DNA base pairs that can be resolved per read, by any assembly algorithm, without regard to computational limitations," they say."http://www.technologyreview.com/blog/arxiv/27689/
it's a long wynding story, if you wanna' likkle primer, watch this short video about Claude Shannon. I see this being useful as providing a framework (Shannon's infomation theory) for thinking about human DNA RNA synthesis, and calculating better--more efficiently--so as to speed up the emerging DNA based medicine and therapy. It could be useful for every single aspect of human biological medicine, and at the same time, makes an explicit link between 'digital bits' and 'the biological 'binary' aspects of biology. '
So, to continue on this tip, and explain myself a little, it's been my hunch over the last 3 or so years that the 'holographic principle' co-founded by Dutch Nobel prized physicist: 'Gerard t'hooft' and 'information theory' as developed by Claude Shannon, underly a somewhat hermetic 'unified theory'. The above link to DNA sequencing, and the following link to 'cosmological' BIT Theory, if you like, are examples for the seriousness of this pretty 'far out' idea that, in some sense, the whole universe seems contained within each atom! or you could say a 'Digital' Universe, or better yet Multi-verse. As above, a new 'Digital' DNA information theory, and below:
"Hogan’s noise arises if space is made of chunks. Blocks. Bits. Hogan’s noise would imply that the universe is digital."http://www.scientificamerican.com/article.cfm?id=is-space-digital
 p.s Physicist Jack Sarfatti has proposed similar idea's that include Shannon's maxim's, and a neurological-cosmological ratio. I picked up on these ideas via Dr Robert Anton Wilson, who I suspect picked up some of these ideas from Jack, Saul Paul Sirag, David Bohm and others from the now legendary Bay Area based 'Physics Consciousness Research Group' that he attended.

--Steve Fly
 

GOD IS IN THE NEURONS: A DOCUMENTARY EXPLAINING 'MIRROR NEURONS, OR EMPATHY NEURONS:

Atom and Archetype: The Pauli/Jung Letters, 1932-1958 Edited by C. A. Meier

 

Atom and Archetype:
The Pauli/Jung Letters, 1932-1958
Edited by C. A. Meier
With a new preface by Beverley Zabriskie
Translated by David Roscoe



PAULI AND JUNGIAN ANALYSIS

In his physics, Pauli sought a unified field. But his personal life was one of fragmentation and dissociation. Within one year, his mother poisoned herself in reaction to his father's involvement in an affair, and Pauli plunged into a brief marriage with a cabaret performer. At thirty, he turned to Jung for help.

Jung, in his 1935 lectures at the Tavistock, offered the following example of dreams effecting change:
I had a case, a university man, a very one-sided intellectual. His unconscious had become troubled and activated; so it projected itself into other men who appeared to be his enemies, and he felt terribly lonely because everybody seemed to be against him. Then he began to drink in order to forget his troubles, but he got exceedingly irritable and in these moods he began to quarrel with other men. . . and once he was thrown out of a restaurant and got beaten up.16
Jung saw that "he was chock-full of archaic material, and I said to myself: 'Now I am going to make an interesting experiment to get that material absolutely pure, without any influence from myself, and therefore I won't touch it.'" He referred Pauli to Dr. Erna Rosenbaum, "who was then just a beginner . . . I was absolutely sure she would not tamper." Pauli applied the same passionate brilliance to his unconscious as to his physics. In a five-month Jungian analysis, Pauli recorded and spontaneously illustrated hundreds of his dreams. "He even invented active imagination for himself He worked out the problem of the perpetuum mobile, not in a crazy way but in a symbolic way. He worked on all the problems which medieval philosophy was so keen on."17 For three months, "he was doing the work all by himself, . . . for about two months, he had a number of interviews with me . . . I did not have to explain much." Jung believed Pauli "became a perfectly normal and reasonable person. He did not drink any more, he became completely adapted and in every respect normal . . . He had a new center of interest." Jung had thirteen hundred of Pauli's dreams as the basis for his research into alchemical symbolism in a modern psyche. "At the end of the year I am going to publish a selection from his first four hundred dreams, where I show the development of one motif only."18
The physicist F. David Peat believes Jung's assessment of Pauli's state after his termination with Dr. Rosenbaum was too positive. Pauli's new "reasonableness" didn't last, and later he again drank excessively.
While Pauli's work aimed toward a "psychophysical monism," his intense inner tensions seemed to manifest physically in the so-called Pauli Effect, when his mere presence caused laboratory equipment to explode or fall apart.19 His internal "monotheism" and his sharp critical acumen and tongue earned him the titles "scourge of God," "the whip of God," and "the terrible Pauli." Even in the midst of personal disarray, Pauli kept his stance as a scientist of such rigor that he was called "the conscience of physics." Asked whether he thought a particular physics paper was wrong, he replied that was too kind--the paper was "not even wrong."20 Heisenberg's account of a 1927 conversation reveals that, in his youth, Pauli was concerned about the distinctions between knowledge and faith.21 Heisenberg saw that behind Pauli's
outward display of criticism and skepticism lay concealed a deep philosophical interest, even in those dark areas of reality or the human soul which elude the grasp of reason. And while the power of fascination emanating from Pauli's analyses of physical problems was due in some measure to the clarity of his formulations, the rest was derived from a constant contact with the field of the creative and spiritual processes for which no rational formulation as yet exists.22 For Pauli, the creativity of science included considerations of the psyche. In science, he subscribed to the quantum uncertainty theory that the position and presence of the observer changes the perception and reality of what is observed. To that thesis--that one cannot measure the wave and the particle at the same time--he added a psychological dimension, observing that insofar as the scientist must opt to know "which aspect of nature we want to make visible . . . we simultaneously make a sacrifice, . . . [a] coupling of choice and sacrifice."23 Pauli demonstrated the value of intuition to science's empiricism. As Weinberg recounted,
physicists in the early 1930'swere worried about an apparent violation of the law of conservation of energy when a radioactive nucleus undergoes the process known as beta decay. In 1932 Wolfgang, . . . Pauli proposed the existence of a convenient particle he called the neutrino, in order to account for the energy that was observed to be lost in this process. The elusive neutrino was eventually discovered experimentally over two decades later. Proposing the existence of something that has not yet been observed is a risky business, but it sometimes works.24
In a metaphysical leap, Pauli referred as well to "forms belonging to the unconscious region of the human soul" and stated that "the relation between a sense perception and Idea remains a consequence of the fact that both the soul and what is known in perception are subject to an order objectively conceived."25 He acknowledged that he had realized in a dream that the quantum-mechanical conception of nature lacked the second dimension, which he found provided by the archetypes of the unconscious.
It seems, however, that he could not find his way to the uncertainty, the "choice and sacrifice" that allows for reparation within analysis. While Pauli knew "that a truly unified view must include the feeling function, since without feeling there is no meaning or value in life, and no proper acknowledgment of the phenomenon of synchronicity," M.-L. von Franz said that he later sought only a "philosophical discussion of dreams":
He wrote to me . . . [and] made it clear that he did not want analysis; there was to be no payment. I saw that he was in despair, so I said we could try. The difficulties began when I asked him for the associations which referred to physics. He said, "Do you think I'm going to give you unpaid lessons in physics?" . . . He wanted something, but he didn't want to commit himself. He was split.26
Van Erkelens speculates that Pauli would have had to submit to a transference and to a deeper Eros than "his inner urge to develop a unified view of matter and spirit." For whatever reasons, von Franz and Pauli were not able to achieve the relational bond that holds and contains explosive emotional material and so allows surrender to one's unconscious and to a suffered analytic relationship.
Jung and Pauli corresponded and later met, not for analysis but for a comparison of ideas--Pauli pursuing Jung's synchronicity thesis and Jung fostering Pauli's understanding of the archetypal and collective factors in the psyche. Through their contact, William James's two fields, to which both Jung and Bohr had been attracted, come together again. Von Franz writes that the
notion of complementarity introduced by Niels Bohr to provide a better explanation for the paradoxical relationship between waves and particles in nuclear physics can also be applied to the relationship of conscious and unconscious states of a psychic content. This fact was discovered by Jung, but it was particularly elaborated by Wolfgang Pauli.27

http://press.princeton.edu/chapters/s7042.html

COPYRIGHT NOTICE: Published by Princeton University Press and copyrighted, © 2001, by Princeton University Press. All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher, except for reading and browsing via the World Wide Web. Users are not permitted to mount this file on any network servers. Follow links for Class Use and other Permissions. For more information, send e-mail to permissions@press.princeton.edu

Shannon's Mathematical Theory of Communication Applied to DNA Sequencing

If we could have James Joyce and Robert Anton Wilson in the mix we might get close to something very really close to 'the tale of the tribe'. With a focus on RAW's book 'Coincidance' in which he defines DNA based information theory through a Joycean measure of the redundancy of information, poetry as information, political speeches as low. love, fly.

 

Shannon's Mathematical Theory of Communication Applied to DNA Sequencing

Nobody knows which sequencing technology is fastest because there has never been a fair way to compare the rate at which they extract information from DNA. Until now.
kfc 04/02/2012
  • 2 Comments

One of the great unsung heroes of 20th-century science is Claude Shannon, an engineer at the famous Bell Laboratories during its heyday in the mid-20th century. Shannon's most enduring contribution to science is information theory, which underpins all digital communication.
In a famous paper dating from the late 1940s, Shannon set out the fundamental problem of communication: to reproduce, at one point in space, a message that has been created at another. The message is first encoded in some way, transmitted, and then decoded.

Shannon's showed that a message can always be reproduced at another point in space with arbitrary precision provided noise is below some threshold level. He went on to work out how much information could be sent in this way, a property known as the capacity of this information channel.

Shannon's ideas have been applied widely to all forms of information transmission with much success. One particularly interesting avenue has been the application of information theory to biology--the idea that life itself is the transmission of information from one generation to the next.

That type of thinking is ongoing, revolutionary, and still in its early stages. There's much to come.
Today, we look at an interesting corollary in the area of biological information transmission. Abolfazl Motahari and pals at the University of California, Berkeley, use Shannon's approach to examine how rapidly information can be extracted from DNA using the process of shotgun sequencing.

The problem here is to determine the sequence of nucleotides (A, G, C, and T) in a genome. That's time-consuming because genomes tend to be long--for instance, the human genome consists of some 3 billion nucleotides or base pairs. This would take forever to sequence in series.
So the shotgun approach involves cutting the genome into random pieces, consisting of between 100 and 1,000 base pairs, and sequencing them in parallel. The information is then glued back together in silico by a so-called reassembly algorithm.

Of course, there's no way of knowing how to reassemble the information from a single "read" of the genome. So in the shotgun approach, this process is repeated many times. Because each read divides up the genome in a different way, pieces inevitably overlap with segments from a previous run. These areas of overlap make it possible to reassemble the entire genome, like a jigsaw puzzle.

That smells like a classic problem of information theory, and indeed various people have thought about in this way. However, Motahari and co go a step further by restating it more or less exactly as an analogue of Shannon's famous approach.

They say the problem of genome sequencing is essentially of reproducing a message written in DNA, in a digital electronic format. In this approach, the original message is in DNA, it is encoded for transmission by the process of reading, and then it is decoded by a reassembly algorithm to produce an electronic version.

What they prove is that there is a channel capacity that defines a maximum rate of information flow during the process of sequencing. "It gives the maximum number of DNA base pairs that can be resolved per read, by any assembly algorithm, without regard to computational limitations," they say.

That is a significant result for anybody interested in sequencing genomes. An important question is how quickly any particular sequencing technology can do its job and whether it is faster or slower than other approaches.

That's not possible to work out at the moment because many of the algorithms used for assembly are designed for specific technologies and approaches to reading. Motohari and co say there are at least 20 different reassembly algorithms, for example. "This makes it difficult to compare different algorithms," they say.

Consequently, nobody really knows which is quickest or even which has the potential to be quickest.

The new work changes this. For the first time, it should be possible to work how close a given sequencing technology gets to the theoretical limit.

That could well force a clear-out-dead-wood from this area and stimulate a period of rapid innovation in sequencing technology.

Ref: arxiv.org/abs/1203.6233: Information Theory of DNA Sequencing

http://www.technologyreview.com/blog/arxiv/27689/

Japanese Masterpieces From The Museum of Fine Arts in Boston travel to Tokyo

Japanese Masterpieces From The Museum of Fine Arts in Boston travel to Tokyo